This paper proposes a reading of two episodes of Hecuba's supplication in Euripides' drama Hecuba. I am hoping to show that the female protagonist Hecuba, when begging for mercy, uses the ritual potential of the supplication act, while the two male characters secularize the primarily ritual act, with the result of escaping from it. The dramatized rite of supplication can serve for examination of normative engagements in the sphere of religious issues and gender roles, and the relationship between speech and gesture on stage. I am examining some aspects of the supplication rite and analysing chosen sections of the dramatic text, with the goal of mapping them within the coordinates of ritual/secularized, gestures/words, female/male.

Philosophy and Religion | Religious Studies