I offer a Darwinian perspective on the existence of aesthetic interests, tastes, preferences, and productions. It is distinguished from the approaches of Denis Dutton and Geoffrey Miller, drawing instead on Richard O.Prum's notion of biotic artworlds. The relevance of neuroaesthetics to the philosophy of art is defended.

Aesthetics | Beauty | Male animals | Sexual selection | Animals | Mating behavior | Darwinism | Homo sapiens | Colors | Evolution