What is it about the concept of absurdity that allows it to be applied to everything from the nature of existence to statistical methodologies to slapstick comedy? This article seeks an answer in the structure of how we experience the phenomena regularly cited to substantiate absurdity claims, namely those putatively labeled ‘confusing,’ ‘humorous,’ or both. Taking its cue from evolutionary and phenomenological accounts of humor and confusion, and responding to the canonical statements of Albert Camus and Thomas Nagel, the essay proposes that certain structures of experience parallel the structure of absurdist arguments.

Contemporary Philosophy | General Interest