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  • A Heideggerian Critique of Immersive Art Mäcklin, Harri 2021 Gatherings: The Heidegger Circle Annual , Vol. 11 , S. 64 ff. ( Zeitschrift ) Englisch 2165-3275 | 2165-3283 10.5840/gatherings2021116 Abstract

    Immersive art has been one of biggest trends in the artworld for the past few years. Yet, so far there has been little philosophical discussion on the nature and value of this immersive trend. In this article, I show how Heidegger’s meditations on art can provide a robust assessment of immersive art. On the one hand, immersive art can be taken to culminate in Heidegger’s views on the “machinational” character of modern art, where artworks turn into calculative experience machines, geared to provide “lived experiences” rather than experi­ences of truth. On the other hand, Heidegger’s thought also lends itself to a more positive assessment, where immersive art undermines machination from within and provides experiences of wonder, which are irreducible to and uncontrollable by calculative thinking.

    Schlagwörter

    Continental Philosophy | Major Philosophers

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